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Is there a PDF of the Epic of Gilgamesh in cuneiform writing?
Mesopotamian city states were theocracies. The ruler of the city had a leading role in the temple service of whichever deity the city was dedicated to- to the point that political and ethnic takeovers could be justified to the general public by saying, well those dudes weren't performing for Enki well enough and we can do it properly, therefore we ought to be in charge. Leaders didn't lead in their own right. T were simply the highest ranking humble human servants of the Cosmic Powers. For the purposes of the poem, (quite apart from whatever the political reality was) leader of Uruk, Ishtar's city, is the member of the temple staff designated to lead the military force defending the temple/city- and also to give Ishtar, the sex goddess, sex, whenever she wants it, if she wants it. Gilgamesh, king of Uruk, didn't deliberately become king. His mother was a high priestess who gave birth to him specifically to give him to Ishtar. His father is obscure or unknown. In the first part of the poem, Gilgamesh turns to his mother for advice about everything. Istar had never yet ‘been with him’, but he had been raised under the expectation that his body belonged to her, whether as a tool to defend her temple/human property of Uruk or as a sex object. Gilgamesh hadn't achieved independent adulthood in the early part of the poem. It looked possible that he never would. This dependant state is a terrible condition to be in, no matter how much power you gain from it. It might have been easier on an adult who had weighed the options and decided this was an arrangement he could live with. However, Gilgamesh, the young adult angst muffin, acts out instead. He goes to the city, in whose service he has lost his body, and pays his loss forward by taking their bodies from them- in a sense- by just going around fucking everyone. The king's right of the first night might have been tolerable for Uruk in a middle aged warlord who occasionally got the hots for some sweet young thing but mostly had his own concubines and needed Viagra anyway and didn't want to risk other men's wives knowing that fact. Gilgamesh the young adult angst muffin's Revenge Quest to Have Sex With Everyone. Did Not Sit Well With Uruk. No. T did not like this. T called on the deities to fix their problem. Enkidu's seduction out of the wild (by one of Ishtar's Priestess/Courtesans no less) and his luring to Uruk carries the dramatic and psychic weight of this entire situation. Gilgamesh repeatedly dreams about the arrival of a friend and ally and match who can hold his own against him, Gilgamesh, the prime representative of the social structure of Uruk. Because only the person who can do that is capable of helping him, Gilgamesh, hold his own against the social structure of Uruk. Gilgamesh’s romance with Enkidu the Wild Man, whether sexual or not, allows him to defy Isthtar's sexual demands on him. Together, t defend the city without her help and even against her. T perform feats that earn them glory in their own right, not merely as lackies of the goddess. He does eventually have a sexual relationship with Ishtar, but as a person in his own right, not as her human chattel. Gilgamesh's relationship with Enkidu allows him to feel that his body belongs to him. He then starts acting more like other people's bodies belong to them. He becomes a responsible adult and a fair leader. The city is quite happy with his metamorphosis into an adult. The social reality of Mesopotamia was centered on the gods, not humans. But I would say the wide spread popularity of the Gilgamesh poems points to an imaginative exploration of a human centered universe, the likes of which was not socially realized until the time of the Greeks. When Enkidu died, not even the goddess could console Gilgamesh over his loss. Only the sight of Uruk and it's walls could do that- the defended physical body of the city.
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It shows a transformation from being a high priestess with a body to a high priest with a brain. “We are gods!” he exclaims, as he steps into the city. Because he hasn't fully learned how powerful Uruk can be, he needs a body strong enough to defend the city even through direct physical fighting; this is Enkidu's body. And the physical and mental body of the city is to protect the gods as well, if Gilgamesh its people too and gods and goddesses. Like the Greek myths, the Gilgamesh Greeks made Gilgamesh a series of stories to explain the social reality of the various societies he visited. And the people he encountered, both in Uruk and the world. “On the nature of his voyage And he learned then't To Uruk with his new world And to understand And was to see What Thatcher time the way How the old and the Old and the.